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Rode NTG5 Location Recording Kit

Rode NTG5 Location Recording Kit
Rode NTG5 Location Recording Kit

The NTG5 is a short, ultra-lightweight shotgun microphone ideal for use in the most demanding recording applications. Featuring a revolutionary acoustic design with circular ports replacing the linear slots found in other shotgun mics, it offers unmatched transparency and a more natural, uncoloured sound. Combined with a tightly controlled frequency response, smooth off-axis response, and very low self-noise (just 10dBA), the NTG5 sounds spectacular in a wide variety of applications, particularly location recording and demanding filmmaking scenarios where superlative audio is the imperative. No excuses.

The NTG5 is a boom operator’s dream, weighing a mere 76g and measuring just over 20cm, making it ideal for use on long, demanding shoots. It features RF-bias circuitry to ensure reliable performance in adverse environments, with excellent resistance to high humidity, severe cold, damp, and dust. And it comes with a WS10 deluxe windshield, PG2-R pistol grip, and other accessories – the perfect location recording kit.

  • Revolutionary acoustic design, delivering a natural, uncoloured sound.
  • Extremely lightweight (just 76g), and short in length (just 203mm)
  • Tailored frequency response and very low self-noise of just 10dBA
  • Highly directional supercardioid polar pattern and smooth off-axis response
  • RF-bias technology and conformal coating ensure superior performance in adverse environmental conditions
  • Comes in a complete location recording kit with WS10 windshield, PG2-R pistol grip and other accessories

NTG5 SPECIFICATIONS

ACOUSTIC & ELECTRICAL SPECIFICATIONS

Acoustic Principle - RF-bias condenser

Active Electronics - RF-bias demodulation

Polar Pattern - Supercardioid shotgun

Frequency Range - 20 Hz – 20 kHz

Frequency Response 80 Hz - 20 kHz ±3 dB

Output Impedance - 25 Ω

Signal to noise Ratio - 84 dB

Equivalent Noise - 10 dB SPL (A-weighted, as per IEC651)

Input SPL @ 1% THD 130 dB SPL (1kHz @ 1% THD, 600 Ω load)

Power Requirements 2 mA @ 48V phantom power

Sensitivity -23.5 dB re. 1 Volt/Pascal or Better (66 mV @ 94 dB SPL @ 1 kHz)

MECHANICAL SPECIFICATIONS

Dimensions (L x W x H, mm) - NTG5: 203 x 19

PG2-R:117 x 60 x 240

Weight (g) NTG5: 76g

PG2-R: 224g

  • Stock: 5-10 Days
  • Model: NTG5
  • SKU: 698813006618
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€499.00
Ex Tax: €405.69
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The NTG5 is a short, ultra-lightweight shotgun microphone ideal for use in the most demanding recording applications. Featuring a revolutionary acoustic design with circular ports replacing the linear slots found in other shotgun mics, it offers unmatched transparency and a more natural, uncoloured sound. Combined with a tightly controlled frequency response, smooth off-axis response, and very low self-noise (just 10dBA), the NTG5 sounds spectacular in a wide variety of applications, particularly location recording and demanding filmmaking scenarios where superlative audio is the imperative. No excuses.

The NTG5 is a boom operator’s dream, weighing a mere 76g and measuring just over 20cm, making it ideal for use on long, demanding shoots. It features RF-bias circuitry to ensure reliable performance in adverse environments, with excellent resistance to high humidity, severe cold, damp, and dust. And it comes with a WS10 deluxe windshield, PG2-R pistol grip, and other accessories – the perfect location recording kit.

  • Revolutionary acoustic design, delivering a natural, uncoloured sound.
  • Extremely lightweight (just 76g), and short in length (just 203mm)
  • Tailored frequency response and very low self-noise of just 10dBA
  • Highly directional supercardioid polar pattern and smooth off-axis response
  • RF-bias technology and conformal coating ensure superior performance in adverse environmental conditions
  • Comes in a complete location recording kit with WS10 windshield, PG2-R pistol grip and other accessories

NTG5 SPECIFICATIONS

ACOUSTIC & ELECTRICAL SPECIFICATIONS

Acoustic Principle - RF-bias condenser

Active Electronics - RF-bias demodulation

Polar Pattern - Supercardioid shotgun

Frequency Range - 20 Hz – 20 kHz

Frequency Response 80 Hz - 20 kHz ±3 dB

Output Impedance - 25 Ω

Signal to noise Ratio - 84 dB

Equivalent Noise - 10 dB SPL (A-weighted, as per IEC651)

Input SPL @ 1% THD 130 dB SPL (1kHz @ 1% THD, 600 Ω load)

Power Requirements 2 mA @ 48V phantom power

Sensitivity -23.5 dB re. 1 Volt/Pascal or Better (66 mV @ 94 dB SPL @ 1 kHz)

MECHANICAL SPECIFICATIONS

Dimensions (L x W x H, mm) - NTG5: 203 x 19

PG2-R:117 x 60 x 240

Weight (g) NTG5: 76g

PG2-R: 224g

Join us for a day of demonstrations with the team from Rode.

Thursday October 12th - 11am to 4pm - Free Entry

Whelan Cameras - O'Connell Street Limerick

Tom Lewis and Matt Reay from Rode will be in-store all day demonstrating the latest in audio equipment for video.

If you have any questions about your kit, or are planning to upgrade your audio equipment then pop in for a chat. You will be able to get hands-on with the latest microphones from Rode.

You might even get the chance to record your own podcast with the RØDECaster Pro.

Join us for an hour of tuition on audio for film.

Thursday October 12th - 3pm to 4pm - €5 Entry

Whelan Cameras - O'Connell Street Limerick

Tom Lewis from Rode will be in-store giving an hour's tuition on the latest in audio equipment for video.

https://www.whelancameras.ie/audio-101 

Audio is a huge part of the watching experience. Without great sounding audio to support the moving image, your film will lack impact. The thing is that many filmmakers, especially those just starting out, focus all of their energy on mastering video, while audio often falls by the wayside. There are lots of things you can do to remedy this. First up: get yourself a great mic. The in-built mics in DSLRs and other cameras aren’t great, and if you rely on these to capture your audio, it’s going to be detrimental to your video. The RØDE VideoMic range has a solution for every kind of videographer, from content creators to documentary filmmakers. Once you’ve got yourself a good mic, the next step is getting a solid grasp on the basics of recording sound. We’ve put together a helpful class to get you started. We’ll cover everything from handling wind noise when recording outside to getting the best audio from your camera..


If you have any questions when selecting an item, don't hesitate to get in touch (9-5pm Monday to Saturday)

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